Finishing-step video upscaling for premium tiers and masters at 101 credits per job, with automatic failure refunds.
Priced by duration and target resolution, shown before you confirm. Failed jobs refund automatically.
The video upscaler takes a finished clip to a higher resolution with per-frame detail reconstruction, so a catalogue produced at working size can meet the spec of a storefront tier or a large-format placement. It runs on the video_upscaler model at 101 credits per job, shown before you confirm, with automatic refunds on failure.
Casting, cuts and grade final at working resolution, where iteration is cheap.
Target the destination’s actual requirement. Beyond-spec costs credits without buying visibility.
Faces and motion edges at 100% across the clip, especially at turns, light changes and rain.
Paid placements that advertise HD get files that honestly meet the label.
A teaser outperforming the catalogue earns a delivery pass for larger placements.
Keep an HD master of flagship scenes while the working catalogue stays lean.
| Lever | Effect | Advice |
|---|---|---|
| Duration | Longer clips cost more | Upscale the shipped cut, not the rushes |
| Target resolution | Higher costs more | Match the placement’s spec exactly |
| Timing | Same price whenever run | Run it last, after the edit is locked |
Night clips carry fine motion detail that compression loves to eat: rain streaks, lantern flicker, reflections crawling across wet stone. Those textures are the first thing a storefront’s player smears at low resolution and the first thing a proper upscale restores. If a clip’s whole appeal is its atmosphere, finishing it is not a luxury line in the budget — it is the line that keeps the atmosphere.
101 credits per job on the video_upscaler model, shown before you confirm. Failed jobs refund automatically.
No. It raises resolution, not quality of performance, casting or light. Fix problems at working size first.
No. Teasers and routine feed clips rarely repay it. Reserve it for paid tiers, breakouts and masters.
No. It produces a delivery version alongside the working file.
Faces and motion edges at full size across the whole clip, particularly at turns, lighting changes and in rain scenes.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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