Correct wardrobe, district and neon light on frames that are almost right. One change per job at 21 credits, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every shoot produces frames that are ninety percent right: the pose lands, the lantern light is perfect, the dress belongs in a different district. The editor exists for those frames. Describe one change in plain language — wardrobe, district, light, detail — and the tool re-renders the frame with the change applied and the composition kept. It costs 21 credits per job, shown before you confirm, and the original stays untouched in your account.
Strong pose and light, wrong details. A frame with bad bones costs more to fix than to regenerate.
One instruction per job keeps the rest of the frame stable and the cost predictable.
Original and edit sit side by side in your account. Ship the winner; the other costs nothing more.
The same frame dressed for three different sets — the fastest catalogue multiplier there is.
Market lane to tea room to harbour steps without moving the muse or her light.
Cool a sign that blew out her face, warm a scene that went cold — match the frame to the set it joins.
“Change the crimson dress to an ivory silk dress, keep the pose, hair, lanterns and reflections identical.”
Names the change and explicitly protects everything else. “Keep identical” clauses are cheap insurance in busy night scenes.
“Soften the red neon cast on her face to a warm neutral, keep the signs and the rest of the scene unchanged.”
One light repair. Asking for a new district, new outfit and new light in one job is a regeneration, not an edit.
| Situation | Better move |
|---|---|
| Pose and light are right, details are wrong | Edit — 21 credits, and the frame keeps its bones |
| The composition itself misses | Regenerate with a corrected brief |
| One frame needed in three outfits | Edit three times from the keeper |
One habit separates tidy catalogues from chaotic ones: never stack edits on edits. Always branch from the original keeper, so every version is one clean change away from a frame you already approved, and the set never accumulates drift.
21 credits per job, shown before you confirm. Editing a keeper is normally cheaper than regenerating and re-culling a whole set.
No. An edit produces a new frame; the original stays in your account untouched.
Brief one change per job. Stacked changes destabilise the parts you wanted to keep — above all the muse’s face.
Yes — your own photos follow the same consent rules as every upload in the studio.
Narrow the instruction and name what must stay identical. Vague briefs are the main cause of drifting edits.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator